by Stuart Wexler & Larry Hancock ‧ RELEASE DATE: April 3, 2018
A fascinating and disturbing look at complexities underlying a shameful historical epoch.
A labyrinthine investigation into conspirators linked to James Earl Ray, convicted assassin of Martin Luther King Jr.
Investigative researchers Wexler and Hancock (co-authors: Shadow Warfare: The History of America's Undeclared Wars, 2014, etc.) dive deeply into an unsavory American underground in which the determination to destroy King ran deeper than commonly remembered. “The solution to King’s murder is simple,” they write. “The same kind of racists who had been trying to kill King for years had finally succeeded that April 4.” Regarding Ray, they note “his role is only one strand in the overall web.” Assembling a chronological narrative, the authors examine an alliance between the violent White Knights of the Ku Klux Klan and wealthy businessmen, which offered a bounty on King’s life dating to at least 1964; word spread in Southern prisons, where Ray would learn of it. Ray is portrayed as a money-hungry career criminal, leading to speculation that he pre-empted a larger conspiracy or overstepped his role. Wexler and Hancock suggest that this racist network, reeling from the passage of civil rights legislation, saw King’s death as key to starting a full-scale race war, inspired by the ascendance of Christian Identity, a religion combining anti-black racism with anti-Semitism, and by violent fringe political groups such as the National States’ Rights Party. The authors claim these factors have been underexamined, arguing that adherents “viewed King as an agent of the Satanic-Jewish conspiracy.” While Klansmen ramped up a campaign of violence around 1967, King “shifted his priorities to issues of social and economic justice,” lessening his support among mainstream Americans and black radicals questioning nonviolence. As for Ray, the authors meticulously reconstruct his wanderings before King’s murder, showing a hapless fugitive rather than a committed terrorist: “Events in Memphis do not suggest a well-planned conspiracy, certainly not if Ray was the designated shooter.” Their account is clear, though reliant on supposition and a dizzying cast of unsavory characters.
A fascinating and disturbing look at complexities underlying a shameful historical epoch.Pub Date: April 3, 2018
ISBN: 978-1-61902-919-4
Page Count: 288
Publisher: Counterpoint
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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