Sleep tight, children: There’s nothing here to spoil your dreams.
New York attorney Stone Barrington (Unbound, 2018, etc.) moves deeper into James Bond territory in his increasingly unsuspenseful attempts to keep his latest paramour’s cutting-edge technology from falling into the wrong hands.
Years before she sold her startup, Harmony Software, to a business group including insurance mogul Arthur Steele and then met and slept with Stone during an outing in Key West that included a board meeting of the Steele Group, Meg Harmon had a torrid affair with Gino Bellini. The two became partners; Bellini developed the software for an unusually resourceful self-driving car; Meg, her ardor cooled, edged him out of the company with a $150 million payout. When a sniper interrupts Stone and Meg’s round of golf at Key West by shooting someone in the next foursome, Meg thinks the disgruntled Gino just might be behind it. She’s right, of course: Gino and his conniving wife, Veronica, have hired an equally malevolent pair of killers, Dirty Joe Cross and his girlfriend, Jungle Jane Jillian, to exact condign revenge. In the hands of another writer, the threats from such well-heeled villains would be bound to create suspense. But this is Stoneland, where no one you care about is ever in enough danger to distract Stone from his primary mission: wandering the planet purchasing everything that isn’t nailed down (the list this time includes a Key West house, club membership, slip, and boat, in that order). Not even the news that Stone can’t force Gino to relinquish the Harmony Software designs he’s stolen because he’s already sold them to an international arms dealer turns up the heat: Stone just turns his sights from private malefactors to the dealer in illegal arms and the sinister political regimes behind him. Starved for anything more consequential to do, Stone enjoys even more sex than usual, watched several times through a hidden camera by someone who intends to shoot Meg and maybe him as well. The only people who get killed are the killers, and Meg’s kidnapping ends almost before it’s begun.
Sleep tight, children: There’s nothing here to spoil your dreams.Pub Date: April 10, 2018
ISBN: 978-0-7352-1720-1
Page Count: 368
Publisher: Putnam
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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