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CHICAGO

Name: CHICAGO
Author: Studs Terkel
ISBN: 0517050668

by Studs Terkel ‧ RELEASE DATE: Sept. 15, 1986

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A collage of impressions and historical anecdotes by the author who over the years has become the guru of the Second City. Certain to be popular "in the state of Elanoy," this brief (144 pages) reminiscence may fare less well in the remaining 49. Terkel assumes his readers will be familiar with many of the personalties and events he depicts. And, while it is true that much of the material is well known—the career of Al Capone and the Haymarket Riot, for example—all too often Terkel fails to provide much in the way of background and exposition of his more obscure references. From time to time, colorful details surface which briefly capture the attention but much of the time the material is too specialized and/or minor to hold much interest for the general reader. As he had before (The Good War, Working and Hard Times, among others), Terkel brings his own individual voice to the work. As an "oral historian," it is in recreating his conversations with fellow Chicagoans that he is most appealing. Here he exhibits the breezy vitality that seems characteristic of the Windy City. The re is no denying that Terkel's enthusiasms are wide-ranging. They include everything from inner-city murals to Greek coffeehouses; from Pablo Picasso's controversial sculpture to the Dreamland Ballroom; from blizzards to "no-hitters" at Wrigley Field. For "out-of-towners," however, these glimpses of Chicago life are just not striking enough to rivet the attention. Fifty-five black-and-white photographs "by several generations of the city's most renowned photographers" (not seen) will doubtlessly do much to flesh out this paean to Terkel's hometown. As text, however, Chicago is too obviously aimed at those Second City dwellers who wish to revel in nostalgia and self-congratulation. For others, it is likely to prove frustrating and less than completely satisfying.

Pub Date: Sept. 15, 1986

ISBN: 0517050668

Page Count: -

Publisher: Pantheon

Review Posted Online: Oct. 14, 2011

Kirkus Reviews Issue: Sept. 15, 1986

Categories:

GENERAL NONFICTION

- BOOK REVIEW
P.S.
by Studs Terkel

- BOOK REVIEW
TOUCH AND GO
by Studs Terkel

- BOOK REVIEW
WILL THE CIRCLE BE UNBROKEN?
by Studs Terkel

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.