This riveting melodrama is the first full-length novel in English from the young Chinese author of the brilliant novella Raise the Red Lantern (1993). Cinematic vividness and speed are in fact distinguishing features of the powerful story of Five Dragons, an ambitious young man who escapes the misery and famine that devastate his provincial homeland for ``success'' in a teeming city (near Shanghai) itself endangered by widespread poverty, gang warfare, and Japanese military occupation, in the years just before Communism. Taken in by the Feng family proprietors of a thriving rice emporium, Five Dragons is seduced into marriage with its wanton daughter Cloud Weave, then later weds her embittered younger sister Cloud Silk. Prosperity and power ensue, but nothing mollifies this stoical antihero's envy and indignation; nor is there solace in the children he siresa brood of greedy, sexually voracious, murderous mutants whose rapacity reaches a feverish climax as the frail Five Dragons, dying, is overpowered by the worthless son who has coveted even his father's gold teeth. The concatenation of horrors is relentless, and the imageswhich make ingenious connections among hunger, aggressiveness, and sexualityare appallingly graphic and violent. Yet Su Tong's characters, simultaneously grotesque and realistic, are drawn with such intensity that we believe them capable of anything (``The men in our family are born killers,...the women senseless sluts''). Page by page, the novel stuns us with a sequence of hallucinatory, disturbing inventions: the savage beating of a small boy and the hideous revenge he exacts; the murders of several prostitutes, ordered by the enraged, syphilitic Five Dragons, the image of his ravaged, suppurating body rising up defiantly out of the vinegar baths that keep him, against all odds, stubbornly still alive. Rice ensnares, and outstares you; no matter how extreme and operatic its content, you simply cannot not believe it. Balzac and Zola would have recognized a kindred spirit in Su Tong, whose extraordinary pictures of the extremes to which human beings drive one another and themselves seem scarcely inferior to their own.
Pub Date: Sept. 15, 1995
ISBN: 0-688-13245-6
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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