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ECSTASY

Hazy and unrewarding.

From India, Kakir’s second (The Ascetic of Desire, 2000, not reviewed) tells turgidly of a young Brahmin’s growth into a guru.

Writing as an outsider about mysticism, Kakir offers a simple plot: one boy grows up to be a holy man, then another follows in his footsteps. The first, Gopal, starts out in the small village of Deogarh, 30 miles north of Jaipur, in the 1930s. Cursed—though he’s also gifted—with androgynous physical traits (breasts, a beautiful singing voice), Gopal never fits in with his peers, but he is highly sought after as a singer at religious ceremonies. After a strange encounter with a travelling tantrik, Gopal is overcome by spiritual madness and his mother takes him on a healing pilgrimage to Balaji. There, he comes under the eye of a travelling older sadhu named Madhavacharya, who becomes the boy’s mentor and takes him into the monastery at Galta. After some feeble monastery intrigue—another monk wants to modernize and tries to oust Madhavacharya—Gopal sets out to live alone in a life of selfless contemplation. Eventually he encounters Nangta, a.k.a. “The Naked One,” a more powerful sadhu than Madhavacharya, who becomes his guru. Years later, in the independent India of the 1960s, Gopal, now a full-fledged elder known as Ram Das Baba, finds a promising youngster named Vivek, who he thinks could take his place. One day after meeting with Gopal, Vivek plunges into mental confusion: “His mind was in turmoil as he cycled back to the city. He could not understand what had happened. Was that awful emptiness and the utter disconnectedness of things a revelation of the secret of the universe? Or of deep structures of his own psyche? Was it some kind of suggestion implanted in his mind by the Baba?” Similar passages, unfortunately, are characteristic of the whole.

Hazy and unrewarding.

Pub Date: June 24, 2002

ISBN: 1-58567-210-6

Page Count: 251

Publisher: Overlook

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2002

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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