This labored effort is obviously meant to be funny, but it's more in the goofball style of Beavis and Butthead than an entry in the ranks of fractured fairy tales by such masters as Scieszka/Lane or James Marshall. Dedicated to the latter, this is a sort of ``The Stupids Meet Goldilocks,'' illustrated with Marshallesque settings and characters. The Dumb Bunnies (Momma, in bra-top and skirt, is ``really dumb''; Poppa, in polka dot briefs, ``even dumber''; Baby Bunny is ``the dumbest bunny of all'') leave their wrong-temperature porridge for an outing that includes a picnic inside a working carwash and bowling in the public library while a librarian glares. They come home to flush ``Little Red Goldilocks'' down the toilet. One problem here is that these bunnies aren't out of step in a well-ordered universe; their world is occupied by similarly witless souls. A sign advertising a spelling bee is misspelled; when Momma Bunny notes that someone has been eating her bed, someone has. The lava lamps in a jacket send-up of the Good Night Moon room will be funny to adults, as will several of the other props (some may even notice the pun in lieu of the author's real name). But let's not elevate this by calling it wit—at best, it's harmless silliness. (Picture book. 5-7)
Pub Date: Feb. 1, 1994
ISBN: 0-590-47708-0
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1994
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip. The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface. Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)
Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
Dedicated “to children everywhere sitting in cardboard boxes,” this elemental debut depicts a bunny with big, looping ears demonstrating to a rather thick, unseen questioner (“Are you still standing around in that box?”) that what might look like an ordinary carton is actually a race car, a mountain, a burning building, a spaceship or anything else the imagination might dream up. Portis pairs each question and increasingly emphatic response with a playscape of Crockett Johnson–style simplicity, digitally drawn with single red and black lines against generally pale color fields. Appropriately bound in brown paper, this makes its profound point more directly than such like-themed tales as Marisabina Russo’s Big Brown Box (2000) or Dana Kessimakis Smith’s Brave Spaceboy (2005). (Picture book. 5-7)
Pub Date: Dec. 1, 2006
ISBN: 0-06-112322-6
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2006
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