by Sue Ganz-Schmitt ; illustrated by Luke Flowers ‧ RELEASE DATE: Oct. 1, 2020
This entertaining tale about making new friends may also help readers conquer their fear of clowns.
You never know about neighbors.
Monster wonders who’s moving in next door. The new neighbor might be an ogre, goblin, or dragon, so he practices his best welcoming growl. Then, the new owner turns out to be…a clown. Monster calls pals Zombie, Mummy, and Yeti with the news. All steadfastly ignore Clown—because he’s not a monster. Undeterred, Clown introduces himself around to no avail. Clown leaves notes and gifts; still, no one responds. Monster determines to scare him away. Unwittingly, Clown endears himself to the neighbors in the meantime. When Monster confronts his nemesis, he discovers his friends cavorting at Clown’s impromptu circus—and decides to cultivate an open mind. In an unsurprising ending that feels rushed and tacked on, Monster has fun at the circus and invites Clown to a party. During the festivities, a new nonmonster moves into the neighborhood. This time, the newcomer is heartily welcomed, its obvious differences now accepted by everyone. This humorous, fast-paced story, narrated with clipped sentences, conveys an important, unsubtle message about the importance of accepting diversity: The “monster” is one who thinks friends must be similar to them. Type is set in various fonts and colors, heightening visual appeal; lots of onomatopoeic sound effects are incorporated into the text. Highly expressive characters feature in the colorful, comically silly, frenetic illustrations.
This entertaining tale about making new friends may also help readers conquer their fear of clowns. (Picture book. 4-7)Pub Date: Oct. 1, 2020
ISBN: 978-1-5420-0533-3
Page Count: 32
Publisher: Two Lions
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 23, 2022
Chilling in the best ways.
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New York Times Bestseller
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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