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ALL EXCEPT AXLE

Cars and trucks and things don’t go so well here.

A little car’s fears are put to the ultimate test.

A bevy of beautiful new anthropomorphic cars eagerly board their respective transport trucks. But not Axle. He’s afraid. No-nonsense Earlene, Axle’s transport truck, manages to get him to the car dealership with everyone else, but next thing you know, he’s cowering on top of her, begging to go back to the factory. Undeterred, Earlene takes Axle into the flatlands, foothills, and mountains, where he gains confidence in his motoring skills. And when Earlene experiences a flat on the way back, Axle now has the courage to find help. While the book attempts to promote self-confidence, this message is muddled in its delivery. Just what is the book trying to say about fear? Axle’s are never named—Earlene just assumes he needs “practice” on the road—which makes conquering them all the more complicated. And while Earlene’s training montage is nice, is the book implying that a skill must be mastered before trying anything new? Later, when Axle smells “burning” late in the book, Earlene’s tire may be the reason, but this fact is never explained to young readers. Accompanying art is consistently colorful and upbeat if unimaginatively Cars-like, but it too indulges in oddities, like giving the top car at the assembly line a superfluous, luxurious mustache. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at 48% of actual size.)

Cars and trucks and things don’t go so well here. (Picture book. 3-6)

Pub Date: Sept. 22, 2020

ISBN: 978-1-5344-4022-7

Page Count: 48

Publisher: Aladdin

Review Posted Online: June 15, 2020

Kirkus Reviews Issue: July 1, 2020

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LITTLE RED SLEIGH

Sadly, the storytelling runs aground.

A little red sleigh has big Christmas dreams.

Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)

Sadly, the storytelling runs aground. (Picture book. 3-6)

Pub Date: Oct. 1, 2020

ISBN: 978-1-72822-355-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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