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APOCALIPSTICK

Quick in pace and often very funny.

Slapdash farce from the author of Spin Cycle (2001, etc.).

Rebecca Fine, newly appointed and very nervous beauty columnist for the Daily Vanguard, is stuck in traffic and about to miss her first meeting at the paper. What better time to apply her mascara—and just as she does, the lout in the expensive car behind her suddenly honks, leaving Rebecca besmirched with a black streak from eyebrow to hairline. When she finally gets to work, she finds that her desk has been cleared for a newcomer and she’s been banished to an undesirable corner. Surprise: the newcomer is the lout in the expensive car, who’s actually quite attractive and becomingly modest. It’s not even his own car. Max Stoddart, the new science and environmental correspondent, is bright, too. Rebecca is impressed but wary. After all, she has other things to worry about. Her Jewish grandmother, agitating for great-grandchildren, has been advertising on Rebecca’s behalf on dateadoctor.com. And Rebecca’s father has selected a former classmate of hers, the infinitely tawdry Bernadette O’Brien, to have a midlife affair—and crisis—with. Good news: svelte as a teenager, when she was dubbed “Lipstick” for the lurid red goo on her pouty mouth, Bernadette now has thunder thighs and looks older than Rebecca. Bad news: circumstances will force the two into a shared flat until Rebecca’s father gets his act together. Even a night of erotic bliss with Max Stoddart wouldn’t make up for this. And is that grandma-enlisted geek, Warren, leaving messages? Max is curious, Rebecca furious. Other medical professionals are soon sending e-mails: an ambulance driver, a cranial osteopath, two male midwives, a prosthetic limb technician . . . . And things go from bad to worse when an undercover assignment from the paper’s gung-ho editor lands Rebecca and Max in the Middle East, pursued by a host of nefarious ne’er-do-wells.

Quick in pace and often very funny.

Pub Date: Jan. 7, 2003

ISBN: 0-385-33656-X

Page Count: 304

Publisher: Delta

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2002

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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