There is nothing tentative in this collection—these are fully formed talents.
This latest collection of stories from US and Canadian writing programs is vibrant and diverse, well up to the high standard set by its predecessors.
Novelist Miller (Lost in the Forest, 2005, etc.) has assembled 15 stories, all roughly contemporary, except “The Temperate Family,” by Caimeen Garrett, a remarkable account of an anguished father’s search for his kidnapped son in 1876. As before, the immigrant experience is well-represented: Russians in Pittsburgh (Ellen Litman’s “About Kamyshinskiy”), Indians in Houston (Keya Mitra’s “Pompeii Recreated”) and a Pakistani in limbo (Fatima Rashid’s “Syra”). The standout in this group is “A Correct Life,” Viet Thanh Nguyen’s story about Liem, an 18-year-old Vietnamese who flees Saigon in 1975 and is taken in by a gay couple in San Francisco—culture shock has seldom been so perceptively rendered. American families experience shocks of their own. Blue-collar father and college-dropout son circle each other grimly after the old man’s divorce (“Karaoke Night,” by Dan Pope); sparks fly when alcoholic, four-times-married Frederick the Third shows up for his grandfather’s funeral and finds forgiveness in short supply (“The Freddies,” by M.O. Walsh). Another grandfather, dying in Puerto Rico, gets no respect from his son or grandson, who are off partying elsewhere in the Caribbean; for sheer exuberance, nothing beats this freewheeling story by Kevin A. González (“Wake”). Equally good, in a quieter way, is Anne de Marcken’s “Ashes”; here, a widow ponders the gap between image and reality as she scatters her husband’s ashes. Sometimes characters are dwarfed by a theme (exurban development obliterating American folklore, in Lydia Peelle’s “Shadow on a Weary Land”); sometimes a character sketch serves for a story, whether it’s a control freak masquerading as a good neighbor (Alice J. Marshall’s “By Any Other Name”) or a black postgraduate struggling with a drug habit (T. Geronimo Johnson’s “Winter Never Quits”); yet there is fine observation even in these lesser offerings.
There is nothing tentative in this collection—these are fully formed talents.Pub Date: Oct. 2, 2006
ISBN: 0-15-603155-8
Page Count: 336
Publisher: Harvest/Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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