by Sue Townsend ‧ RELEASE DATE: Aug. 1, 2000
Some of Townsend’s veddy British jokes don’t cross the Atlantic, but those that do are funny, frivolous, and devastatingly...
More satirical diaries of a persistently pathetic English everyman pitches brickbats and sourballs at Tony Blair, Princess Di worshippers, TV cooking shows, celibacy, and the ever increasing bunch of village idiots and ne’er-do-wells in Ashby-de-la-Zouch.
Back in 1982, long before Bridget Jones turned feckless romance and menstrual cramps into bestselling silliness, playwright and comic novelist Townsend introduced The Secret Diary of Adrian Mole Aged, 13 3/4. Over the years, the precocious adolescent who wrote bad poetry and made hilariously misinformed comments about his dysfunctional family, has grown—though not necessarily up. This sixth installment covers Adrian’s misadventures, with sarcastic side glances at national events, from March 1997 to May 1998, and opens with 31-year-old Adrian, author of an unpublished novel, employed as a chef at the Hoi Polloi, a fashionable Soho restaurant that serves such ineptly prepared “traditional” English fare as overcooked frozen liver and runny Yorkshire pudding (from the kitchen, Adrian glimpses Bridget Jones grimacing over dinner). His Nigerian wife Jo Jo has fled back to Africa while their three-year-old offspring, William, stays with Adrian’s father, George, who is chronically depressed because he can’t get it up anymore, and mother, Pauline, who is having an affair with Ivan Braithwaite, the father of Adrian’s first girlfriend, the voluptuous Dr. Pandora Braithwaite, who is also Adrian’s first and, so far, unrequited love. The diaries open with Adrian’s cautious surprise at Tony Blair’s election, for who should ride in on Blair’s coattails as the new MP for Ashby-de-la-Zouch? Adrian contemplates celibacy, makes a short-lived TV cooking show called Offally Good!, Princess Di is killed in a car crash, Adrian’s father has an affair with Ivan Braithwaite’s wife, the Hoi Polloi is closed when foot fungus is found in a sink and, incredibly, Pandora and Adrian wind up in bed.
Some of Townsend’s veddy British jokes don’t cross the Atlantic, but those that do are funny, frivolous, and devastatingly dead-on.Pub Date: Aug. 1, 2000
ISBN: 1-56947-204-1
Page Count: 416
Publisher: Soho
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
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by Sue Townsend
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by Sue Townsend
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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