WHERE THERE'S A WILL

A Brahmin Boston family is shocked to be cut out of an inheritance. Would any of them resort to murder?

Fresh from a 1935 business trip to China that turned into another sleuthing adventure, Australian artist-cum–reluctant businessman Rowland Sinclair is sent to Boston to settle the estate of his friend Daniel Cartwright. He owes his appointment as executor to Danny’s estrangement from his family. Danny was shot, presumably by a vagrant, and his body left beside the Charles River. Taking artistic sidekicks Milton, Clyde, and Edna along for moral support, Rowland faces a phalanx of attorneys and Danny’s angry brothers, Frank and Geoffrey, eventually joined by Molly, their blithe, bubbly sister. Tensions boil over at the reading of the will, which reveals the main heir to Danny’s estate to be one Otis Norcross, who hasn’t attended the reading and whom no one seems to know. This last development, coupled with the strange circumstances surrounding Danny’s death, prompts Rowland to investigate. Physical and legal threats follow, but after the initial flurry of mystery and danger, the plot moves slowly, propelled mostly by the banter of the investigative quartet and entertaining cameo appearances by Zelda Fitzgerald, Orson Welles, etc. Once they find Norcross, the threads of Danny’s private life begin to unravel, and the story accelerates to a conclusion. Gentill begins each chapter with a short, entertaining news item from the period as another way of contextualizing her piquant recurrent theme of the social value of art and artists.

Rowland’s leisurely 10th case colorfully re-creates the flavor of serial mysteries of Hollywood’s golden age.