A vivid portrait of a ruthless, egocentric woman driven by an unrelenting sense of entitlement and destiny.
In the dark labyrinth of North Korean politics, a princess has emerged as a major power.
Lee is a U.S.–based academic who has been studying and writing about North Korea and the Kim family for many years, so he is perfectly situated to provide a detailed examination of Kim Yo Jong (b. 1987), the younger sister of Supreme Leader Kim Jong Un and the likely heir apparent. She holds only a minor position in the government hierarchy, but her power, which includes the ability to sentence anyone to death for any reason, stems from being “First Sister” and a key member of the royal family. She first made headlines as North Korea's representative at the 2018 Winter Olympics in South Korea, and since that time, her profile has increased. She now makes public statements about regime policy, especially regarding foreign affairs. The Kim family has always had a reputation for bellicosity, but Kim Yo Jong has taken it to a new level, with barrages of personal insults and threats delivered in a tone of vicious sarcasm. Lee is unsurprised by her behavior, as she was called “princess” in her childhood and learned the art of disdain at her father's knee. As chief propagandist, she has cemented the power of the dynasty, emphasizing the mythical idea of the “Mount Paektu Bloodline” that began with North Korea's founder, Kim Il Sung. Lee believes that she enjoys being feared and has a wide streak of cruelty. Sometimes, she makes her brother look like the sensible and restrained member of the family. She can put on a charming face for media consumption, but the author warns commentators to be wary. She is, quite simply, an extremely dangerous person and would be even more threatening in the top position. It is a worrying but unavoidable conclusion.
A vivid portrait of a ruthless, egocentric woman driven by an unrelenting sense of entitlement and destiny.Pub Date: Sept. 12, 2023
ISBN: 9781541704121
Page Count: 304
Publisher: PublicAffairs
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
PERSPECTIVES
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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