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SUMMER ON HIGHLAND BEACH

Lacks the zest of the earlier books and doubles down on the weak writing.

An elite Black community in coastal Maryland learns that the mayor has a “secret love child.”

Having set her previous Summer Beach books in the enclaves of Oak Bluffs, Massachusetts, and Sag Harbor, New York, The View host Hostin closes up shop in Highland Beach, a resort community founded in the late 19th century by Frederick Douglass’ son. According to its website, it is "residential only, does not offer opportunities for tourism and cannot accommodate visits from the general public." Hostin definitely conveys that attitude as her character Olivia Jones pays a hesitant first visit to the snooty town, whose mayor is her long-estranged father, Charles "CJ" Jones, whose reelection will be compromised by her arrival. (Olivia’s complicated backstory is explained hastily and will remain opaque to those who haven’t read the first two books.) She is also meeting for the first time her evil grandmother, Christine Douglass-Jones (that Douglass), a woman who sees the death of two of her three children as more a reputation problem than a cause for mourning. Don’t feel sorry for me, she tells an old enemy, "I have money, class, and I’ve traveled to places you’ve only dreamed of." Maybe this is meant to be a laugh line, but some of the wooden dialogue, the tabloid-type gossip about Frederick Douglass, and the oddly placed, uninspiring descriptions of people’s attire are not. In one laugh-out-loud moment, a deus ex machinacharacter storms into a town meeting “wearing an ankle-length persimmon dress.” No designer or anything! As in previous books, characters rely on therapy to deal with their messy lives and romances (Olivia has managed to screw up a good thing she had going in Sag Harbor). The wisdom of Olivia’s therapist, Dr. LaGrange, saves the day: “Life is a journey. You hit a milestone and then you move on to your next goal. The work never really ends. Nor should it.” This beach trilogy, however, should.

Lacks the zest of the earlier books and doubles down on the weak writing.

Pub Date: May 28, 2024

ISBN: 9780062994257

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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