by Susan B. Katz ; illustrated by Eiko Ojala ‧ RELEASE DATE: Jan. 5, 2016
While not many books combine the months or seasons with shapes, that’s not enough of a reason for this to take shelf space...
A boy and girl explore shapes through a calendar year.
Beginning in January with “CIRCLE / round, / ready to roll. / Add two sticks, / a carrot, and coal,” the months proceed with few surprises: a heart for February, an egg for March, April showers’ rainbow, a baseball diamond in June, a rectangular pool for July’s heat. August’s an ice cream cone, September celebrates school with a crossing guard’s stop sign, October is a carved orange sphere, the two kids share a pie’s triangles in November, and December’s ice sports some figure eights. That leaves only May, which features a square wooden box filled with flowers. That’s not the only oddity, though: the verses are sometimes clunky, with odd punctuation, and at times they don’t make much sense. “A HALF CIRCLE, / don’t let go. / Showers, sunshine, / a real rainbow!” From the picture, readers won’t get much of a sense of what shouldn’t be let go: the girl isn’t holding anything, and the boy appears to have a strong grip on his umbrella. Ojala digitally illustrates his debut. Brilliant colors, simple backgrounds, and good use of perspective keep the focus on the kids (the boy a redheaded Caucasian, the dark-haired girl olive-skinned and perhaps Latina) and the shapes.
While not many books combine the months or seasons with shapes, that’s not enough of a reason for this to take shelf space from such books as Ellen Stoll Walsh’s Mouse Shapes (2007) or Stella Blackstone’s Ship Shapes (2006). (Picture/concept book. 3-6)Pub Date: Jan. 5, 2016
ISBN: 978-0-545-74100-2
Page Count: 32
Publisher: Orchard/Scholastic
Review Posted Online: Oct. 5, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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by Alastair Heim ; illustrated by Aristides Ruiz ‧ RELEASE DATE: Sept. 5, 2023
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Jan. 2, 2024
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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