An ardent love story that brims with sincerity and believable characters.
South Carolina teens fall in love, but their mismatched backgrounds may force them apart in Zurenda’s romance novel.
Hazel Smalls gets in-school suspension for a minor infraction regarding her JROTC uniform. It’s there that the high school junior surprisingly hits it off with senior Sterling Lovell, the scion of a rich family. Hazel doesn’t want Sterling to know that her home is a room in a “beat-up” local motel shared with her parents and kid sister (the situation is mostly due to her father’s DUI rendering him jobless). But Sterling may also have reason to be embarrassed, as his indifferent slumlord father owns that motel. Widowed English teacher Angela Witmore doesn’t miss what’s happening between these smitten teens, though she tries to stay out of her students’ personal affairs. Hazel and Sterling face many obstacles as they begin a romance, from their parents disrupting their lives (not always intentionally) to Sterling’s girlfriend, Courtney, who isn’t quite an “ex” when Sterling and Hazel start hanging out. The fledgling couple—with an unexpected assist from Angela—must fight to stay united. Zurenda populates this modern-day spin on a Romeo and Juliet pairing with superb characters: Hazel is resilient and selfless, while the privileged Sterling earns sympathy for his status as a former victim of bullying. The supporting cast is indelible, including the warmhearted Angela (who stumbles into romance of her own), Courtney’s spiteful preacher father, and Hazel’s ever-chatty sister, Chloe. The author’s effortless prose breathes life into every scene, even sequences as prosaic as Angela throwing together a spaghetti dinner and internally debating which wine to pair with it (“What did she care? The bottle of Chardonnay was already open”). Though a few of the plot turns are predictable, the ending packs a sensational dramatic punch.
An ardent love story that brims with sincerity and believable characters.Pub Date: Sept. 5, 2023
ISBN: 978-0881469011
Page Count: 291
Publisher: Mercer Univ.
Review Posted Online: Oct. 23, 2023
Kirkus Reviews Issue: Dec. 1, 2023
Review Program: Kirkus Indie
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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