An engaging historical work involving truly larger-than-life American characters.
A focused history of the turn-of-the-century series of events during which President Theodore Roosevelt and railroad magnate J.P. Morgan clashed over power and boundaries, paving the way for a progressive moment in America.
In her well-paced debut, Bloomberg Businessweek investigative reporter Berfield ambitiously juggles several historic threads from a turbulent time in America: soaring immigration, labor unrest in the face of low wages and dangerous conditions, the seemingly untrammeled ambitions of big business, and the clamor for public accountability and oversight. Following the assassination of William McKinley, Roosevelt assumed the presidency as a young, untested hero of the Spanish-American War. At the time, he was greatly feared by the Wall Street monopoly for his progressivism. Morgan had created the behemoth U.S. Steel, and he maintained firm control over the “coal roads” in Pennsylvania, the railroads, and Wall Street finance. In 1901, along with a few other titans, he formed the Northern Securities railroad trust; a year later, Roosevelt asked his attorney general to prosecute the corporation for violating the Sherman Antitrust Act, which had been passed into law in 1890. At this crucial historic intersection, writes the author in a particularly engaging section, “tens of thousands of miners were also demanding that the nation honor its commitment to justice even as the coal barons denied it. Their fight would become one of the greatest labor actions in American history, and would redefine Roosevelt’s presidency in the months ahead.” In October 1902, Morgan “committed a surprising act of diplomacy,” bringing the coal barons together with labor leader John Mitchell, and the strike was settled. On March 14, 1904, the Supreme Court handed Morgan a stunning defeat, forcing Northern Securities to dissolve within 30 days. The decision, notes Berfield, cemented Roosevelt’s popularity; he “had tipped the scales back toward ordinary Americans, and many were devoted to him.”
An engaging historical work involving truly larger-than-life American characters. (b/w images)Pub Date: May 5, 2020
ISBN: 978-1-63557-249-0
Page Count: 400
Publisher: Bloomsbury
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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