Still, despite occasional clunkiness, Miller’s vernacular style is altogether winning in a story that seriously tries to...
Personal tragedy puts a Jamaican child-care provider on the road to ruin—in a contrived, sometimes overwrought, and jazzily accented debut.
Indigo Rosemartin’s young daughter Louisa is killed by a hit-and-run driver back in Kingston, while Indigo is in the States trying to earn money to send home. Indigo’s grief, compounded by her guilt at having left the fatherless girl home while she works for a professor’s family in suburban Chicago, hardens her heart against the three American girls of various ages she tends house for daily—as well as against the friends who care about and live around her, and the male admirers she refuses to give the time of day. The girls, Clair, Jill, and Julie Silver, are growing up without their own mother, a kind of dopey, unstable hypochondriac who calls regularly to threaten custody proceedings and terrorize her daughters. Professor Silver, a 50ish bookworm who studies generations of refugees, especially Jews who suffered in death camps, rarely looks up from his all-consuming work to gauge the goings-on in the household. Gradually, Indigo begins to frequent a gambling house run by the infamous charmer Brother Man, a ruthless criminal and thug who enjoys getting rough with the ladies who fall in his debt—and Indigo has lost her head to roulette. Miller’s Jamaican characters ring proud and true and speak in a sing-song patois that seems almost too musically delightful to possess the pain of suffering from homesickness, poverty, or spiritual impoverishment. Indigo has to make her way “back to caring”—for friends, for the sweet girls in her care, who depend on her, and for an acceptable life for herself. While her journey is affecting, it’s also rather unsurprising and platitudinous: the author isn’t prepared to get rough enough herself to create a viscerally convincing tale.
Still, despite occasional clunkiness, Miller’s vernacular style is altogether winning in a story that seriously tries to examine the depression of foreign caregivers.Pub Date: Dec. 28, 2004
ISBN: 0-553-80396-4
Page Count: 304
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2004
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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