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EAST TO THE DAWN

Name: EAST TO THE DAWN
Author: Susan Butler
ISBN: 0-201-31144-5

THE LIFE OF AMELIA EARHART

by Susan Butler ‧ RELEASE DATE: Nov. 1, 1997

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This exhaustive new biography, coming on the centennial of Earhart's birth, throws new light on many of the more controversial elements of the aviator's life and death. Earhart was a self-possessed and downright adventurous young woman. Her two enduring passions were flying and social work, endeavors that both seem to have captivated the feminine imagination in her time. By the time she was 25, Earhart ``had become one of those early mythical heroes of the sky whom people came to see at air meets and dreamed of emulating.'' She ``vagabonded'' across the country solo in a plane and, with the help of her husband, publishing giant George Putnam, had the book documenting her tale out on the stands less than two weeks after completion of the feat. The list of her flight achievements is lengthy and impressive. But it is the cool yet inspired marriage between Putnam and Earhart, two inveterate adventurers, that lies at the core of Butler's biography. Putnam was a brilliant media spin-doctor who relentlessly promoted his wife's image. Butler's study raises some provocative questions (Was Earhart a feminist or just a singular human being? Were her feats victories for women everywhere or victories for pure heroism?) without convincingly answering them. But if the study isn't always persuasive in its answers, it is filled with wonderful details about Earhart's glamorous lifestyle and the wild, dangerous world of early aviators. Earhart disappeared at sea in 1938, trying to be the first pilot to circumnavigate the earth at its widest point, before turning 40. Even the manner of her death contrived to sustain America's fascination with her. Butler's flat writing style somewhat undermines her portrait of Earhart's singular emotional and physical courage. Nonetheless, the still enthralling figure of the aviator—wearing her signature trousers and jacket, blond hair and silk scarf blowing, beckoning to the free spirit in all of us—does powerfully come through. (b&w photos, not seen)

Pub Date: Nov. 1, 1997

ISBN: 0-201-31144-5

Page Count: 528

Publisher: Addison-Wesley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1997

Categories:

GENERAL NONFICTION

- BOOK REVIEW
ROOSEVELT AND STALIN
by Susan Butler

- BOOK REVIEW
THE HERMIT THRUSH SINGS
by Susan Butler

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.