Though the family drama reads well, there isn't enough tension surrounding what turned out to be a historically...
The Cuban missile crisis provides the backdrop for a domestic drama in which a Florida housewife unravels while her teenage daughter discovers long-guarded secrets.
In October 1962, Wes Avery is the well-liked owner of a Texaco station in Orlando, proud of his elegant wife, Sarah, and their daughter, Charlotte, just elected to the homecoming court. As the novel opens, Wes notices a series of oddities: increased activity at the nearby Air Force base, fighter jets overhead, long railway convoys headed to the coast. Then President John F. Kennedy makes a speech confirming Wes' growing sense of dread—the Soviets want to use Cuba as a missile base. While Sarah works with the Women's Club's Civil Defense Committee stocking bomb shelters with essentials, Wes, who served in World War II and saw firsthand the destruction at Hiroshima, is sure nothing can survive the game of chicken Kennedy and Khrushchev are playing. Equally nervous is Emilio, a teenage “Pedro Pan” (one of the Cuban children sent to the U.S. by their parents after the revolution), who works part time at the Texaco station. Handsome and with the courtly manners of the displaced Cuban ruling class, Emilio is taking Charlotte to homecoming, a prospect that outrages her race-conscious mother. But that's not the only thing disturbing Sarah, giving her headaches so severe she lies in the dark all day. After a miscarriage led to an unnecessary hysterectomy, Dr. Mike has been prescribing her a potent cocktail of uppers and downers, with the expected results. When Kitty, Sarah's believed-to-be-dead sister, arrives in town, Wes does all he can to keep her away from Sarah and Charlotte. Though Sarah's breakdown is riveting, McCarthy doesn't manage to convey the fear the characters experience living on the edge of a nuclear holocaust.
Though the family drama reads well, there isn't enough tension surrounding what turned out to be a historically anticlimactic event.Pub Date: Sept. 29, 2015
ISBN: 978-0-8041-7654-5
Page Count: 272
Publisher: Bantam
Review Posted Online: June 29, 2015
Kirkus Reviews Issue: July 15, 2015
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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