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A PERSON OF INTEREST

Lee’s soul is too small to carry the novel, despite the author’s astute observations.

Choi (The Foreign Student, 1998, etc.) draws on the Unabomber case for her awkward third novel, about a campus bombing and a beleaguered Asian-American professor.

Lee is an aging tenured math professor at an undistinguished state university in the Midwest. The adjoining office belongs to Rick Hendley, a much younger man with a much bigger reputation, a hotshot computer scientist loved by his students and envied by the unloved Lee. When a mail bomb explodes in Hendley’s face, Lee feels a “terrible gladness.” He does not visit Hendley in the hospital; when the man dies, he does not attend the campus memorial service. Petty and self-absorbed, Lee is no nicer now than he was all those years ago in grad school, when he was befriended by an evangelizing Christian, Lewis Gaither, and promptly stole his wife Aileen. Out of the blue, a letter arrives from Gaither, suggesting they resume their friendship. Could there be a connection between this letter and the bombing? An FBI agent seems to think so, and his suspicions are intensified when Lee lies to him about his relationship with Gaither. Choi alternates between the investigation and Lee’s marriage to Aileen, doomed once Lee refused to show any interest in her baby John, fathered by Gaither, who later absconded with him. This can of worms acts as a severe distraction from Lee’s current troubles, which multiply once the FBI declares him a person of interest (though not a suspect) and the media and neighbors harass him. (Echoes here of the Richard Jewell/1996 Atlanta Olympics story.) The abrupt introduction of the now adult John is a further distraction. The story does gain some momentum with Lee’s cross-country dash to rendezvous with Gaither, who has now issued a Manifesto, like the Unabomber. But the climax, in the snowy Idaho woods, defies belief on several counts, among them Lee’s last-minute makeover as a potential martyr.

Lee’s soul is too small to carry the novel, despite the author’s astute observations.

Pub Date: Feb. 4, 2008

ISBN: 978-0-670-01846-8

Page Count: 368

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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