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THE FIRST STEP

HOW ONE GIRL PUT SEGREGATION ON TRIAL

Expanding the understanding of equal rights in the classroom is sadly timely, and this helps to fill in an early part of the...

A 19th-century chapter in the ongoing struggle for school integration.

When Sarah Roberts was thrown out of her all-white Boston elementary school in 1847, her parents fought back through the courts. Robert Morris, an African-American attorney, and Charles Sumner, a white attorney, joined forces to argue the case before Massachusetts judges. Those judges ruled in favor of segregated schools, but Sarah’s father turned to public opinion and legislation, eventually winning the right for his daughter and all others to attend integrated neighborhood schools. Goodman goes on to briefly enumerate the difficulties that would still be faced in the long fight for equal opportunity education, culminating in the more famous case of Brown v. Board of Education in 1954. It’s too bad that acknowledgment of Boston’s 1970s-era school-integration battles is relegated to a timeline along with other dismaying post-Brown integration facts. Lewis’ watercolor-and-gouache paintings portray the faces of the family, the courtroom scenes, and 19th-century Boston with delicacy and atmosphere. The concluding double-page–spread vista of a sailing ship docked near a modern skyscraper, albeit quite lovely, is out of place.

Expanding the understanding of equal rights in the classroom is sadly timely, and this helps to fill in an early part of the picture. (afterword, sources and resources, author’s note) (Informational picture book. 7-10)

Pub Date: Jan. 5, 2016

ISBN: 978-0-8027-3739-7

Page Count: 40

Publisher: Bloomsbury

Review Posted Online: Oct. 13, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE AMAZING AGE OF JOHN ROY LYNCH

A picture book worth reading about a historical figure worth remembering.

An honestly told biography of an important politician whose name every American should know.

Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.

A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)

Pub Date: April 1, 2015

ISBN: 978-0-8028-5379-0

Page Count: 50

Publisher: Eerdmans

Review Posted Online: Feb. 2, 2015

Kirkus Reviews Issue: Feb. 15, 2015

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