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BIRD COUNT

An engaging, informative introduction.

A young citizen scientist helps count birds for the Christmas Bird Count, a hemispherewide event run by the National Audubon Society.

On a snowy winter morning, Ava and her mother bundle up to spend their day driving and walking around through varying habitats to count birds in the area designated to them by their local organizer. This year, Ava’s old enough to take the tally, which, in a clever design feature, runs along the side of each spread. Count guidelines are smoothly worked into Richmond’s narrative: Count every bird you see or hear; make sure at least two people see or hear it; don’t count any bird more than once. She even explains how a tally is marked. The birds, familiar to residents of eastern and central North America, are faithfully shown in context in Coleman’s digital paintings. Ava and her mother have light brown skin, and Ava’s hair is lighter and fluffier than her mother’s straight, black locks; team leader Big Al presents white. The author builds suspense by including Ava’s hope to see a raven again—a bird she saw two years ago but not on last year’s count. The story includes common frustrations: birds only one person sees and birds that were probably counted already. Their final tally—24 species, from great horned owl in the early morning to the longed-for raven at dusk—is quite respectable, and more about each featured species appears in the backmatter.

An engaging, informative introduction. (author’s note) (Informational picture book. 5-9)

Pub Date: Oct. 1, 2019

ISBN: 978-1-56145-954-4

Page Count: 32

Publisher: Peachtree

Review Posted Online: June 15, 2019

Kirkus Reviews Issue: July 1, 2019

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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