Griffin (A Chorus of Stones: The Private Life of War, 1992, etc.) calls for a recovery of the sense of meaning that ties human existence to the physical earth and the universe. The destruction of the environment, the possibility of nuclear war, the disintegration of community, a ``larger mood of unraveling''all this, says Griffin, can be traced to the ever- widening gap in Western thought between human consciousness and the natural world that sustains it. The ascendance of science and rationalism has blotted out the ancient instincts that once allowed people to live harmoniously, to feel in the most mundane acts the rich connections between themselves and nature, the ``eros of everyday life'' of the title. Instead of the Western, masculine insistence on hierarchy and racial and sexual categorization, we must turn back to an ecological approach, one which recognizes the infinite interdependence of everything on the planet. This dangerous devaluing of earthly experience, Griffin argues further, is painfully clear in the misogyny and racism of the white male: Women and non-Western peoples are more exotic, seductive, closer to a natural state, and therefore to be feared and controlled. Griffin puts her skills as a poet to good use here, but her rampant feminism, really a brand of female chauvinism (e.g., men have always hated women because they know they are fundamentally dependent on them) will alienate many readers. As for illuminating a path toward the enlightened life, Griffin offers little more than an idealized vision of non-Western cultures as the key to salvation. Her argument is further diluted by an odd assortment of miscellaneous essays tacked on to the end of the title suite. Griffin overlays a message of almost unrelieved sorrow, fear, and anger with a distasteful superiority of tone that is unlikely to win her converts. (Author tour)
Pub Date: Sept. 1, 1995
ISBN: 0-385-47390-7
Page Count: 256
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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