by Susan Griffin ‧ RELEASE DATE: May 1, 1999
This challenging and provocative chronicle of an illness reaches far beyond the author’s symptoms to incorporate the romance of Camille, a child’s abandonment, the body’s relationship to nature and to history, money, poetry, the environment, democracy, and the loss of a certain kind of consciousness. Griffin (The Eros of Everyday Life: Essays on Ecology, Gender, and Society, 1995, etc.) has been called “a great visionary” by some critics; she clearly has a vision, but one that resembles a Moebius strip more than a straight line. For instance, she argues that the body, as well as the mind, retains both personal and social history. So-called psychosomatic disease is not the body acting out the mind’s repression, but a teamwork approach as it were, as the body “thought, felt, and expressed everything that my mind did.” But, Griffin points out, insurance won’t pay for a psychosomatic diagnosis. This was of no little consequence to her, since her diagnosis, CFIDS (chronic fatigue immune dysfunction syndrome), a true viral infection with debilitating symptoms, bore the stigma of the earlier “Yuppie disease,” chronic fatigue syndrome. Unable to work, at times unable even to get out of bed, Griffin envisioned terminal poverty and herself as a victim of the mercantile body, consumed by consumption. Hence, she explores the life of another woman who died from consumption, Marie de Plessis, courtesan extraordinaire (fictionalized by Dumas as the Lady of the Camellias and famously portrayed by Bernhardt, Garbo, and Callas), whose tubercular deterioration paralleled Griffin’s own decline. Her survey of Camille’s history in Paris also opens inquiries into shame, medical care, money, and death, and loops back at last to the author’s alcoholic mother. Narrative chapters are interspersed with poetic stanzas. Close reading of this deceptively simple itinerary from Berkeley to Paris is required; stay with it—an extraordinary number of ideas from, birth to earth, are plowed and seeded.
Pub Date: May 1, 1999
ISBN: 0-06-251435-0
Page Count: 352
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2000
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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