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BETWEEN WORLDS

Name: BETWEEN WORLDS
Author: Susan Groag Bell
ISBN: 0-525-93314-X

IN CZECHOSLOVAKIA, ENGLAND AND AMERICA

by Susan Groag Bell ‧ RELEASE DATE: July 29, 1991

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A wise and affecting memoir, remarkable for its honesty and lack of self-pity, of a life lived in interesting times by Czech- born feminist historian Bell. The daughter of Jewish parents who converted to Lutheranism in their youth, Bell describes her idyllic prewar childhood in Tropau, a provincial town in Czechoslovakia. The only child of a prominent local lawyer and his much younger, beautiful, and talented wife, Bell enjoyed a childhood rich in friendship, family associations, and love. But when Germany marched into the Sudetenland, and the rest of the world stood by, the idyll ended. Regarded as Jewish by the Nazis and penalized by the newly enacted racial laws, the family decided to emigrate. Taking advantage of the only visa available—for domestic work—Susan and her mother left for England in 1939, hoping once there to arrange a visa for her father; but the Holocaust took him away forever. In England, while her mother worked as a maid in a succession of households until the visa rules changed, Susan attended local schools, experiencing all the hardships of wartime England as well as the more usual ups and downs of adolescence. After a brief and disillusioning visit to a newly liberated Communist Czechoslovakia, Susan returned to England, where she spent two years in a hospital and on crutches recovering from TB brought on by the poor diet and living conditions of the postwar period. Marriage finally brought her to California, where, a late bloomer and nearly 40, she began a distinguished academic career as a historian. Friends, family, and associates are vividly evoked, as are the difficult times Bell lived through, but it is she herself, modest and self-deprecating, who is the real heroine of this poignant story of great loss and some gain.

Pub Date: July 29, 1991

ISBN: 0-525-93314-X

Page Count: 240

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1991

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.