A sympathetic portrait of old age.
Feisty ladies of a certain age.
Award-winning memoirist and literary critic Gubar was 63 when, in 2008, she was diagnosed with terminal ovarian cancer and given three to five years to live. After debilitating surgeries and chemotherapies, she enrolled in a clinical trial that proved successful, giving her an unexpected chance to experience old age—and to wonder how other women navigated this period of their lives. Although older women are stereotypically depicted as feeble, discountable, and unremarkable, Gubar has discovered that many found new bursts of creativity in the “grand finale” of their lives. As evidence, she offers succinct biographies of nine creative women—selected from a host of others appearing in the book—whose later years she groups under three categories: Lovers (writers George Eliot and Colette, artist Georgia O’Keeffe) who took younger men as companions; Mavericks (writer Isak Dinesen, poet Marianne Moore, artist Louise Bourgeois) who cultivated their idiosyncrasies; and Sages (jazz musician Mary Lou Williams, poet Gwendolyn Brooks, dancer-choreographer Katherine Dunham) who devoted themselves to the needs of their community. For Gubar’s stubborn mavericks, “roguish old age” offered a time “in which they flaunted their deeply eccentric spirits.” As different as they were from one another, Dinesen, Moore, and Bourgeois donned “odd outfits” and engaged in blatant self-mythologizing, leaning into their personas as “sly old ladies.” Gubar’s three sages were Black women influenced by religion, the Civil Rights Movement, and social injustice to find new outlets for their talents and new ways to engage with the world. Gubar cites many other aging women—artist Faith Ringgold and designer Iris Apfel, and writers Grace Paley, Ursula K. Le Guin, Margaret Atwood, and Annie Ernaux, among others, to ring in on the lively possibilities—of productivity, connection, and reinvention—in one’s last years.
A sympathetic portrait of old age.Pub Date: June 10, 2025
ISBN: 9781324065647
Page Count: 384
Publisher: Norton
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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