As sweet and benign as a summer daisy.
A flower-to-be, looking like a green pea and behaving just like a human preschooler, voices its fears about its inevitable transformation.
There’s the dark. (“You never know / who might be digging… / …in the DARK.”) There’s the equally scary-seeming light looming above. With bona fide impediments like rocks and spiders popping up, young readers should develop real empathy for the little plant during its complex transit. A bespectacled worm offers encouragement and reassurance, flanked by ants and beetles. “There are friends to feed you, / friends to weed you, / and friends indeed who / really need you!” A series of gatefolds serves to reinforce the sense of expansiveness of soil and, later, blue sky, as the seed-turned-sprout grows into a towering, daisylike flower. Cordell uses a flat, matte color palette of browns, greens, worm-pink and sky blue, with thick black line for details. He preserves the plant’s personality throughout its growth spurt, successively using the same pale green hue and facial expressions for the seed, sprout and the flower’s center. Hood’s rhyming text is charming, but the final gatefold, a full three pages tall, must be folded away and turned before its verse can be concluded on the final spread—a slight detraction from the flow.
As sweet and benign as a summer daisy. (Picture book. 3-5)Pub Date: March 11, 2014
ISBN: 978-1-4231-5230-9
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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