Generational anthologies have proven themselves in the marketplace (if not among critics) as an effective way to introduce new talent, and this collection, put together by editors associated with the magazine DoubleTake, is no exception—the young writers here run the gamut from inept to elegant. The editors are so aware that their greatest find is Jason Brown that they include two of his stories among the 15—everyone else is represented by just one. Brown opens the volume with ``The Dog Lover,'' the story of a recovering junkie who can't bring himself to shoot his dying dog, as he is urged to do by his father, a blind Vietnam vet whose wife committed suicide. Despite the relentlessly bleak details, it's an uplifting piece about faith and fathers, and mirrors its companion ``Animal Stories'' (which closes the collection), about a young man's reflections on his dying mother's life and her refusal to accept treatment for her cancer. Religion and belief figure in many stories here, as do heroin, alcoholism, and madness. ``Indian Summer Sunday,'' by Creston Lea, brings all of it together in a tale of a minister's apostasy and his late-night drunk-driving before Sunday services. It's a far more convincing narrative than ``Asylum,'' a mental patient's ramblings. ``White Flight,'' by Tim Vanech, poses a social problem with clarity and intelligence, while ``Like a Crossing Guard,'' also a social study of sorts, never finds focus for its tale set at a juvenile detention center. Troubled families naturally figure in a number of pieces: an alcoholic mother in ``Flamingo,'' a feuding brood in ``Waiting Game,'' etc. ``Manna Walking,'' a short and moving vignette, concerns an Indian woman on the way home from the A&P who finds redemption and God's love in an ordinary event. Even if Brown is the only clearly distinctive new voice here, it's still a good introduction to young writers learning their craft.
Pub Date: May 1, 1997
ISBN: 0-393-04120-4
Page Count: 240
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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