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DAHLIA IN BLOOM

A well-crafted, beautiful novel about a fraught childhood moment.

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A young girl in Appalachia during the Great Depression copes with her family’s move to a new farm in Koehler’s (The Complete K-5 Writing Workshop, 2013, etc.) novel. 

Dahlia Harrell is an 8-year-old girl in a family of tenant farmers in the foothills of the Blue Ridge Mountains. It’s the 1930s, and though Dahlia is in a loving family, not everything is quite right. She has recently recovered from a case of diphtheria. Money is tight. The family can eat what they grow and rely on the chickens and cow, Ol’ Rosie, but having cash in hand is rare. Dahlia thinks: “With enough money, a person could buy away any reason they ever had to feel afraid.” Though Dahlia’s world is small, her life on Harrell Mountain is full of wonder, mystery, and big dreams. Her brother Charlie believes there is buried treasure on the property that will make them as rich as the Rockefellers. Grandpa talks of the family’s history in the area as he and Dahlia lie on the ground gazing at stars. But her father breaks the news that the family will be moving to a new farm, one owned by another family. He hopes it will improve their circumstances, but to Charlie, it means giving up on the buried treasure, and Dahlia can’t imagine living far away from her grandfather. But they do move—the girls in flour-sack dresses with cornhusk dolls—and a relief society steps in to give the kids new clothes for school. Nervous about her skills and fighting with her sister, Dahlia worries about her grandfather and wonders if she’ll ever be able to return to Harrell Mountain. Koehler’s Depression-era novel is concise but effective and weighty. In a time of great change for Dahlia, Koehler paints a clear portrait of this family and their circumstances with writing that is subtle and strong. Dahlia’s world has just gotten much bigger, and her increasing awareness of herself as compared with others is thoughtfully described. Rich details abound on everything from meals to economics to a precious missing doll, but it’s the author’s gift for making a specific story so universal that stands out.  

A well-crafted, beautiful novel about a fraught childhood moment.  

Pub Date: July 10, 2019

ISBN: 978-0-9859438-8-2

Page Count: 152

Publisher: Turtle Cove Press

Review Posted Online: April 24, 2019

Kirkus Reviews Issue: June 1, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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