Linn’s examination of how screens have taken over childhood is a must-read for any parent.
An eye-opening and disturbing exploration of how marketing tech to children is creating a passive, dysfunctional generation.
In 2004, Linn, a psychologist specializing in childhood development, published Consuming Kids, a landmark study on how corporations develop marketing campaigns specifically aimed at young people. In the ensuing years, there has been a seismic shift in technology, with a flood of smartphones, tablets, and interactive apps, and children are connecting to the online world at younger ages. Some companies are even marketing screen-based games for babies. Lego, once seen as a toy that encouraged creativity and innovation, now comes with apps that direct what the child should do, and stuffed toys can now sing, dance, walk, or talk at the push of a button. “The more a toy can do, the less a child needs to do,” writes the author. “And the less a child does with a toy, the less useful that child’s play is to healthy development.” One of the book’s hardest-hitting chapters examines “pester power,” encouraged by marketers in order to place an emphasis on brands, which allows for the sale not just of individual toys, but entire product lines. Brand addiction is a sure path to profitability. The nadir of cynicism is when researchers profile teens to determine their psychological weaknesses so they can target advertising at them. Linn recounts numerous horror stories about manipulation, but she is proactive in her advice. “Postpone getting your child a smartphone until at least eighth grade,” she writes. “When it comes to raising children, smartphones are probably the most pernicious of all tech devices.” Read books with them, or go outside to play. Put down your own devices so you do not set a bad example. Set limits on screen time, and don’t yield to nagging for more stuff. In other words, be an active and involved parent.
Linn’s examination of how screens have taken over childhood is a must-read for any parent.Pub Date: Sept. 13, 2022
ISBN: 978-1-62097-227-4
Page Count: 320
Publisher: The New Press
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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