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LIZZY AND THE GOOD LUCK GIRL

Genial and pleasant but not exceptionally compelling despite dramatic scenarios.

Lizzy is a big believer in signs. She’s convinced they portend the future—good or bad—if she can just interpret them correctly.

Ever since her mother lost an unborn baby after a car accident two years earlier, Lizzy, 12, has been searching for signs that good luck will come, especially now that her mother’s next pregnancy is almost over. After she and her best friend discover a runaway 11-year-old, Charlotte, hiding in an abandoned house, the pair team up to help the child. Charlotte has left home to try to force her separated parents to rethink divorce plans. But since the runaway might just represent good luck (because she has a four-leaf clover drawn on her hand), Lizzy does little to encourage the girl to go home, instead hiding her in her own closet. Only after she finally reveals to Charlotte the good-luck-charm role she’s inadvertently playing does the younger girl decide to return home. Gentle Lizzy’s need for a happy outcome for her mother makes her reliance on magical thinking plausible, although occasionally, her first-person narration leans toward a more authorial voice than appropriate. While Lizzy is fully realized, other characters are mostly distinguished by being exceptionally nice, limiting conflict in the tale. The book assumes the white default.

Genial and pleasant but not exceptionally compelling despite dramatic scenarios. (Fiction. 9-12)

Pub Date: Nov. 6, 2018

ISBN: 978-0-7624-6502-6

Page Count: 224

Publisher: Running Press

Review Posted Online: July 29, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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CLUES TO THE UNIVERSE

Charming, poignant, and thoughtfully woven.

An aspiring scientist and a budding artist become friends and help each other with dream projects.

Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.

Charming, poignant, and thoughtfully woven. (Fiction. 9-12)

Pub Date: Jan. 12, 2021

ISBN: 978-0-06-300888-5

Page Count: 304

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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NUMBER THE STARS

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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