Nothing astonishing here; just a gifted purveyor of American short fiction working on her craft and offering up the results.
A promising debut collection of short fiction and other ephemera from McCarty (English/ Salisbury Univ.).
The author offers a surprising diversity of tone scattered among the kinds of solid short stories that emerge from places like the Iowa Writers’ Workshop. The first of three distinct sections, “Animalia,” strongly represents melancholic remembrances. The book opens with the title story, a travelogue about crisscrossing New York City during a hot summer. The next story, “Fellowship," concerns a teenage girl who's dealing with her parents’ imminent divorce while simultaneously finding sexual frustration with the abstinent Christian boy to whom she’s attached herself. “Indirect Object” describes an uncomfortable encounter between a tutor and the father of one of his students. Another, “The Fat of the Land,” is about what it’s like to become soft when exchanging Manhattan for Iowa. The middle section, “Histology,” is brief, as are the flash fictions included within. They’re slight experiments like “Passive Aggressive,” which lays out all the reasons a woman is not speaking to her partner in advance of a girls’ weekend in Las Vegas. The final third, “Bacterium,” is where McCarty gets far more experimental with her storytelling. “Field Reports” amusingly examines a sexual encounter in the form of a lab report detailing blood alcohol levels, costuming, and body posture. The social satire “Another Zombie Story” takes aim at the deadening of life through technology. The final few stories fall back on more Midwestern slice-of-life moments centered on brash, masculine protagonists familiar to anyone who grew up in rural America. The collection sums itself up with “Anamesis: An Epilogue,” a kind of self-survey that notes a variety of conditions ranging from “Consistently underhydrated” to “One failed relationship ending in death.”
Nothing astonishing here; just a gifted purveyor of American short fiction working on her craft and offering up the results.Pub Date: June 15, 2015
ISBN: 978-1-941143-03-2
Page Count: 250
Publisher: Aforementioned Productions
Review Posted Online: March 30, 2015
Kirkus Reviews Issue: April 15, 2015
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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