A straightforward but well-structured and absorbing supernatural tale of change and coping.
A bereaved boy discovers that he can see ghosts in this middle-grade novel.
Ever since 1900, when spiritualists “tore a hole” between the real world and the supernatural realm, poltergeists have come through the opening and plagued mortals. Like all children, 12-year-old Alex Lenard was tattooed at birth with a mark shielding him from “evil spirits.” His house in New Orleans is covered in pentacles and other signs of protection. Supernatural entities—and the arcane methods of keeping them at bay—are an everyday part of life. Alex is a star ghostball player at school. But on the way to the state championship, he is badly injured in a car accident. His mother is killed. Not only will the grief-stricken Alex never play again, the accident switches something inside of him. He develops psychic powers—a change thought to be impossible at his age. Alex doesn’t wish to see ghosts. His dad is staunchly anti-psychic, and going back to school will be hard enough for Alex without having his crazy aunt and his weird, paranormal-obsessed cousin Hannah move in next door. But what Alex wants doesn’t seem to matter. When he accompanies his aunt and cousin on one of their investigations, they uncover a spirit that needs putting to rest—and an evil entity hell-bent on stopping them. Backed by his Jamaican best friend, Jason Anderson, Alex must either accept his new situation or risk losing everyone he has left. McCauley writes in the first person, past tense and tells a simple story at an effective pace. The worldbuilding is a bit clumsy at first—the early chapters repeat some information—but once over its teething troubles, the book moves smoothly from premise to execution. The dialogue is well handled. The ubiquitous nature of the spirits is a pleasing facet that stands out. But of course the true focus is on Alex’s loss and how he deals with it. Alex is an average but likable protagonist, and Hannah and Jason are able supporting characters. Young readers should find themselves deeply engrossed.
A straightforward but well-structured and absorbing supernatural tale of change and coping. (glossary)Pub Date: Jan. 14, 2020
ISBN: 978-1-951069-04-9
Page Count: 178
Publisher: Celtic Sea, LLC
Review Posted Online: April 30, 2020
Kirkus Reviews Issue: June 1, 2020
Review Program: Kirkus Indie
PROFILES
The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)
Pub Date: Sept. 30, 1999
ISBN: 0-06-440766-7
Page Count: 162
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
A didactic blueprint disguised as a supernatural treasure map.
A girl who delights in the macabre harnesses her inherited supernatural ability.
It’s not just her stark white hair that makes 11-year-old Zee Puckett stand out in nowheresville Knobb’s Ferry. She’s a storyteller, a Mary Shelley fangirl, and is being raised by her 21-year-old high school dropout sister while their father looks for work upstate (cue the wayward glances from the affluent demography). Don’t pity her, because Zee doesn’t acquiesce to snobbery, bullying, or pretty much anything that confronts her. But a dog with bleeding eyes in a cemetery gives her pause—momentarily—because the beast is just the tip of the wicked that has this way come to town. Time to get some help from ghosts. The creepy supernatural current continues throughout, intermingled with very real forays into bullying (Zee won’t stand for it or for the notion that good girls need to act nice), body positivity, socio-economic status and social hierarchy, and mental health. This debut from a promising writer involves a navigation of caste systems, self-esteem, and villainy that exists in an interesting world with intriguing characters, but they receive a flat, two-dimensional treatment that ultimately makes the book feel like one is learning a ho-hum lesson in morality. Zee is presumably White (as is her rich-girl nemesis–cum-comrade, Nellie). Her best friend, Elijah, is cued as Black. Warning: this just might spur frenzied requests for Frankenstein.
A didactic blueprint disguised as a supernatural treasure map. (Supernatural. 10-12)Pub Date: Aug. 10, 2021
ISBN: 978-0-06-304460-9
Page Count: 288
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: June 10, 2021
Kirkus Reviews Issue: July 1, 2021
BOOK REVIEW
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