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DARK HORSES

A searing examination of love and lust, power and control, as the narrator’s rising sense of self yearns to take the reins.

A complex portrait of sexual abuse set in the world of pre-Olympic equestrian competition.

Debut novelist Mihalic takes us inside a life of extreme privilege, equestrian “eventing”—a kind of horse-based triathlon—and sexual predation with Roan Montgomery, a feisty 15-year-old Olympian-to-be who confides her story in a cleareyed narration. From the outside, Roan’s life looks too good to be true. She’s the youngest competitor in her high-stakes equestrian world, attends a ritzy prep school, and lives on the sprawling grounds of her family’s Rosemont Farms in the picturesque Shenandoah Valley, complete with an extensive staff, multiple horses, and a father-cum-trainer who’s working to make her the next Olympic gold-medal winner in their family. Look closer, though, and the cracks appear. Her mother’s an addict/alcoholic with no bandwidth to care for Roan, sleeping with the headmaster at her daughter's school. Her father, meanwhile, has been sexually abusing her for years. From the moment Roan gets to know Will Howard, one of her classmates, and feels the first tug of genuine connection, the fireworks start. Her father wants to keep Roan all to himself, and Roan craves her father’s undivided attention and the goals he’s set for her while also wanting to escape his abuse. To the author’s credit, this is no poor-little-rich-girl story. Rather, Mihalic complicates the narrative at every turn, creating a disturbing and flinty picture of what abuse, psychological control, and rage look like. The emotions Roan feels toward her father are multilayered and confusing, speaking to the gnarled nature of their relationship. When he tells her before an interview to “Just be yourself,” she knows that’s code for inhabiting the persona he’s created. Though the narrative occupies taboo terrain, it does so with great heart and thereby honors Roan’s love-hate experience in all its bewildering and inscrutable nature.

A searing examination of love and lust, power and control, as the narrator’s rising sense of self yearns to take the reins.

Pub Date: Feb. 16, 2021

ISBN: 978-1-9821-3384-9

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: Nov. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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SWAN SONG

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

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A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.

Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!

Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”

Pub Date: June 11, 2024

ISBN: 9780316258876

Page Count: 384

Publisher: Little, Brown

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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