Almost as painful to read about as it is to experience, which is both a complaint and a compliment.
A middle-aged New York writer loses herself to romantic obsession with a handsome musician.
Loving someone who doesn’t love you is bad. Everyone in Ivy Cooper’s life keeps telling her that, and at 52, divorced from the father of her young son, now fixated on a younger man named Ansel Fleming who explicitly rejects any possibility of commitment from day one, she doesn’t really need to be told. And it doesn’t matter anyway because she’s a goner, as fatally obsessed as any bunny-boiling love addict in life or literature. Minot is an elegant writer, her sentences and paragraphs stylishly cropped, her dialogue quotation mark–free, her epigraphs chosen from classic sources: Rilke, Emerson, Lao Tzu, Oscar Wilde, Henry James, Rumi. In pellucid prose she captures each of the emotional states Ivy cycles through on the roller coaster of erotic fascination, delusion, bliss, mania, devastation—while also buffeted by the emotions and responsibilities of motherhood and of a career as a writer. While its individual parts are spare and polished, as a whole the book is ungainly. It’s divided into three sections, each of which has three chapters. The last section, which occurs after we have the sense that we already know everything we need to know, begins with an overly arty chapter about seeking help in “the rooms”—the Brown Room, Pink Room, Red Room, White Room, etc.—revealed to be a therapist’s office, yoga studio, 12-step meeting room, movie theater, lecture hall. In the next chapter, Ivy’s son has a brush with a very serious illness, an inherently suspenseful topic, but which at this point raises the question, “What are we doing here?” When the final chapter begins with, “She felt she ought to be at the end of this by now. She looked back and saw that what she had thought was close to the end was more like only halfway through the middle,” it’s almost as if author and reader are sharing a private joke.
Almost as painful to read about as it is to experience, which is both a complaint and a compliment.Pub Date: Oct. 15, 2024
ISBN: 9780593802441
Page Count: 320
Publisher: Knopf
Review Posted Online: July 10, 2024
Kirkus Reviews Issue: Aug. 15, 2024
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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