If your love is sweet like honey, share this with a child your love is for.
A poetic ode to the love a parent feels for a child—love that is “pure,” “tender,” “sweet,” “fierce,” “strong,” and “endless.”
These rather abstract terms are explained using similes drawn from nature. Each stanza opens with two lines that begin with “Like.” Further figurative language is embedded in each stanza. Loose watercolor-and-gouache pictures pair the words with idealized visions of the natural world. Only three illustrations include people, all with light skin. Even though the seasons are not named, the verses and pictures evoke them, with spring: “Like blossoms kissing your eyes in sunlight, / a soft breeze misting your cheeks with dew, // like snowdrops bowing their heads to no one, / that’s how pure my love is.” In summer, love is “like blackberries big as your thumbs, and juicy, / and honey from bees who go bizz-buzz-whizz”; in fall it is “like mother bear cuddling her cubs in her den”; and finally in winter it’s “like mountains heaving under drifts of snow.” The final stanza invites the child to “count the stars on a night clear anew, / that’s how endless my love is for you.” The rather sophisticated phrasing and obscure comparisons may leave very young children puzzled. But the message of unconditional parental love cannot be missed even if toddlers don’t understand all the language.
If your love is sweet like honey, share this with a child your love is for. (Board book. 2-4)Pub Date: March 26, 2019
ISBN: 978-1-4598-1846-0
Page Count: 24
Publisher: Orca
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Who knew that turning the pages could be the best part of a book?
The concept of this picture book is simple enough: 10 birds topple, slip, and dive their way off the titular twig until there is one left. The text itself echoes familiar singsong-y children’s rhymes like “Five Little Pumpkins.” While it mostly succeeds, there are some awkward spots: “5 on a twig, there used to be more… / SNAP! Don’t say a word, now there are four.” (On each page the number is both spelled out and represented as a numeral). The real scene stealer, however, is the book’s interplay between Cole’s illustrations and the physical pages themselves. In much the same way Eric Carle utilizes the pages in The Very Hungry Caterpillar to show the little critter eating its way through the week, Cole uses pages of increasing width to show how the twig grows shorter as each bird falls and marches off purposefully with the others, all headed toward verso with pieces of twig in their beaks. Stylistically, the book is captivating. The very colorful, egg-shaped birds appear on a single, thin black line on a stark white background. This backdrop stands in powerful contrast to the book’s final two pages, which are set against black negative space, a theme echoed in the book’s feather-print endpapers. The heavy, thick pages make it easy for little hands to participate. The text takes a back seat to the playful and compelling design, which is sure to delight readers.
Who knew that turning the pages could be the best part of a book? (Picture book. 2-4)Pub Date: Sept. 1, 2020
ISBN: 978-1-72821-593-8
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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