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THE GRASS DANCER

Power's potent debut is less a novel than a multilayered portrait of a North Dakota Sioux community. Interlocking stories mostly recede chronologically and bring to life not just individual characters but also their links to one another in the past and the present. In 1977 Jeanette McVay is shown teaching eighth-grade social studies to her Native American students. In a later section, her 1961 arrival is depicted through the eyes of the powerful Anna Thunder, who sprinkles reservation dirt in Jeanette's shoes, making it impossible for the well-meaning graduate student to leave. Anna figures in many of these stories. When her daughter Crystal becomes pregnant by a Swedish-American named Martin Lundstrom and marries him, Anna steals their daughter at birth, and Crystal tells Martin that the baby is dead. After her ghost is mentioned, a woman named Red Dress arrives to explain what happened to her in 1864 that keeps her from resting peacefully, and later she visits Crystal Thunder's daughter Charlene after Charlene uses her grandmother's ``bad medicine'' to attract men and reaps terrible results. Red Dress also describes the 19th-century attempts of Father La Frambois to convert reservation dwellers. After she translates the priest's bible stories for her father he asks, ``Why are his people so determined to kill their relatives?'' This too reverberates later, when some Indian characters are shown attending parochial school. Despite the fact that many of these stories deal in the supernatural and that they intersect almost constantly, there is never a feeling that Power is forcing her hand, and although the nonchronological arrangement takes away some clarity, in return it graces the book with numerous small and large surprises and moments of recognition. Startling and complex, but always in the most natural way. (First serial to the Paris Review, VLS, and the Atlantic Monthly; Book-of-the-Month Club/Quality Paperback Book Club selections; author tour)

Pub Date: Aug. 3, 1994

ISBN: 0-399-13911-7

Page Count: 304

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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