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Part gothic novel, part adventure story, but primarily a meditation on surmounting misfortunes that may lie beyond an...

Dead parents haunt Shreve’s 16th novel (You Are the Love of My Life, 2012, etc.).

In 2007, George Washington University professor Georgianna Grove still grapples with the mysterious tragedy that orphaned her as a small child. In 1941, when Georgianna was 4, her father, William, a Jewish immigrant from Lithuania, went to prison for murdering her mother on a canoe trip to the Wisconsin summer camp he ran. Four years later, William died in prison, leaving Georgianna to face a lonely childhood with unapproachable, anti-Semitic maternal grandparents. In reaction, Georgianna made the concept of "home" central to her research as an anthropologist and has continually welcomed strangers into the house where she raised her own three children. They’d become fatherless themselves at ages 4, 2, and still-in-the-womb when Georgianna’s husband died in Vietnam. On her 70th birthday, Georgianna receives a letter from the only other person from the 1941 canoe trip who's still alive. At the time, Roosevelt McCrary was an 11-year-old child who had been hired, along with his mother, to work at the camp despite being black. As an adult, Roosevelt became a part owner of the camp and has retired there. Hoping he has information to exonerate William, Georgianna decides to revisit the camp and nearby murder site for the first time. She drags along her family—grown children Venus, Rosie, and Nicolas, whose work on Barack Obama’s campaign hovers in the background; Rosie’s 13-year-old son, Thomas, in the throes of grieving his own father’s recent death; Nicolas’ son, 15-year-old Jesse, and 4-year-old daughter, Oona, coincidentally Georgianna’s age in 1941. Georgianna discovers that her parents’ lives and deaths were more complex and mysterious than she thought and not truly knowable. Shreve creates a spooky atmosphere with stormy weather, eerie parallels between past and present, and at least one threateningly crazy woman. Even spookier is the backdrop of 20th-century racism, anti-Semitism, and anti-immigration feeling that are all too familiar today.

Part gothic novel, part adventure story, but primarily a meditation on surmounting misfortunes that may lie beyond an individual’s control.

Pub Date: June 4, 2019

ISBN: 978-0-393-29294-7

Page Count: 272

Publisher: Norton

Review Posted Online: March 17, 2019

Kirkus Reviews Issue: April 1, 2019

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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