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THIS IS WHAT IT SOUNDS LIKE

WHAT THE MUSIC YOU LOVE SAYS ABOUT YOU

An intriguing look at how what enters our ears shapes our minds.

Liberace or Lyle Lovett? What we listen to speaks volumes about us.

In this blend of neuroscience and audiophilia, Rogers, who describes herself as “one of the very few successful female record producers in the profoundly male-dominated industry,” has spent a lot of time thinking about the meaning of listening to music. One of her great conversation starters is a “record pull,” asking the person or people you’re with to play their favorite tunes and, in turn, putting yours on the table in a fearless exercise in “self-discovery.” The records you offer have predictive value. For example, if you like David Bowie, you might like Lou Reed—whom Rogers declined to work with on the grounds that she was a little too methodical for the improvisational project he had in mind. Writing with neuroscientist Ogas, Rogers identifies seven dimensions that shape our understanding and appreciation of music, four of them musical (melody, lyrics, rhythm, and timbre) and three “aesthetic” (authenticity, realism, and novelty). Some are obvious: The songs we walk away humming or dancing to catch us in just the right way. The aesthetic dimensions are subtler. On the matter of authenticity, Rogers holds up the example of the supremely horrible band the Shaggs, who made up in fearlessness what they couldn’t muster in musical skill (“Incompetence. Embarrassing, unsalvageable, breathtaking incompetence”). Interestingly, Rogers argues that nature and nurture play roles in determining musical taste. We have a certain genetic propensity for some kinds of music, but more to the point, it’s experience and exposure that help shape our tolerance for novelty (Zappa or Stockhausen, anyone?) and desire for believability (Hank Williams versus, say, Milli Vanilli). Refreshingly, Rogers urges that we rid ourselves of snobbery, for musical taste is broadly various: “It is the limitless diversity of listener profiles that fuels the infinitely rich art form we love.”

An intriguing look at how what enters our ears shapes our minds.

Pub Date: Sept. 20, 2022

ISBN: 978-0-393-54125-0

Page Count: 288

Publisher: Norton

Review Posted Online: June 14, 2022

Kirkus Reviews Issue: July 15, 2022

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ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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THINKING, FAST AND SLOW

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our...

A psychologist and Nobel Prize winner summarizes and synthesizes the recent decades of research on intuition and systematic thinking.

The author of several scholarly texts, Kahneman (Emeritus Psychology and Public Affairs/Princeton Univ.) now offers general readers not just the findings of psychological research but also a better understanding of how research questions arise and how scholars systematically frame and answer them. He begins with the distinction between System 1 and System 2 mental operations, the former referring to quick, automatic thought, the latter to more effortful, overt thinking. We rely heavily, writes, on System 1, resorting to the higher-energy System 2 only when we need or want to. Kahneman continually refers to System 2 as “lazy”: We don’t want to think rigorously about something. The author then explores the nuances of our two-system minds, showing how they perform in various situations. Psychological experiments have repeatedly revealed that our intuitions are generally wrong, that our assessments are based on biases and that our System 1 hates doubt and despises ambiguity. Kahneman largely avoids jargon; when he does use some (“heuristics,” for example), he argues that such terms really ought to join our everyday vocabulary. He reviews many fundamental concepts in psychology and statistics (regression to the mean, the narrative fallacy, the optimistic bias), showing how they relate to his overall concerns about how we think and why we make the decisions that we do. Some of the later chapters (dealing with risk-taking and statistics and probabilities) are denser than others (some readers may resent such demands on System 2!), but the passages that deal with the economic and political implications of the research are gripping.

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our minds.

Pub Date: Nov. 1, 2011

ISBN: 978-0-374-27563-1

Page Count: 512

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 3, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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