A light, lively narrative about a singular, narcissistic woman.
A biography of a seductress, gold digger, and Nazi collaborator.
As Ronald (Hitler’s Art Thief: Hildebrand Gurlitt, the Nazis, and the Looting of Europe’s Treasures, 2015, etc.) repeatedly asserts, Florence Gould (1895-1983) was “an unmitigated snob and egotist” whose only goal in life was “having a good time in high society.” Born in America to French parents, Gould had aspirations to become a world-famous opera singer; when her talent did not measure up to her outsized self-assessment, she became a chorus girl. After divorcing her wealthy first husband, she caught the eye of Frank Gould, the alcoholic son of railroad magnate Jay Gould, whom she wrested away from his second wife. Frank provided her with jewels and a string of hotels and casinos in French resorts. He also had a predisposition to collecting his own coterie of mistresses while she thrived in the company of “pretty boys” and lovers, including the besotted Charlie Chaplin. Gould’s “beauty, charm, and fabulous wealth had become a deadly man magnet,” Ronald writes. She had a reputation “as a lioness, devouring the men she wanted at will.” Drawing on many published sources, newspaper reports of Gould’s scandalous escapades, and Gould’s often fraudulent testimony when she was interrogated as a Nazi collaborator, Ronald conveys the glittering surface of Gould’s life. Without intimate correspondence or diaries, however, she fails to uncover her subject’s feelings, motivations, and thoughts, resulting in a one-dimensional portrait of an astonishingly selfish woman. Chronicling her many affairs and swirling social life, Ronald homes in on Gould’s liaison with Ludwig Vogel, a former German Luftwaffe officer, who became her lover and protector during the Nazi occupation of France, one of “a dizzying, revolving door of German men.” Vogel, though, was the most important, keeping Gould supplied with all manner of “delectable treats” while most Parisians were nearly starving. Although doggedly investigated after the war, not least for her part in a money-laundering scheme, Gould suffered no reprisals, devoting herself to art, music, and pleasure.
A light, lively narrative about a singular, narcissistic woman.Pub Date: Feb. 20, 2018
ISBN: 978-1-250-09221-2
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Oct. 10, 2017
Kirkus Reviews Issue: Nov. 1, 2017
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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