Heartbreaking, eerie, and acutely observant.
Teenagers spend a hazy summer at the shore. One girl comes to terms with both her emerging independence and the mysterious death of a girl just like her.
Steinberg (Spectacle, 2013) writes in small, interconnected, and poetic fragments. She follows one unnamed teenager through a summer of partying that results in the drowning death of another local girl under mysterious circumstances. This is “a story about salvation,” she says, “but that doesn’t mean this girl was saved; and it doesn’t mean that we were saved; or that anyone was, or ever would be; it only means that something, in this moment, needed saving.” Through Steinberg’s poetic prose and chapters that braid together different timelines from the same summer, we come to learn of the girl’s feelings of guilt about her friend’s death. The same summer, the girl discovers her parents’ shortcomings and begins to fight against the stereotype of the drunken party girl that she sometimes embraces. Steinberg’s observations of the delicate workings of interpersonal relationships are astute. Her protagonist says, “What I mean is, girls, there is no love the way you think of love.” Love is the mysterious promise that hangs over all the sexual encounters at the shore; adults and teens alike allow the promise of love to draw them away from sensible behavior. Through her reflections on the night of the drowning and her conversations with her family following a shocking discovery about her father, the girl is both discovering her power and the gendered expectations that cage it. She begins to find her own voice, and she questions the culture that allowed her friend to drown—even though she is a complicit participant in that culture. “And that’s what happens when you drink,” she tells us, parroting the town’s gossip. “And that’s what happens when you fool around.”
Heartbreaking, eerie, and acutely observant.Pub Date: Aug. 20, 2019
ISBN: 978-1-55597-847-1
Page Count: 160
Publisher: Graywolf
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
BOOK REVIEW
BOOK REVIEW
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