Deeply rooted in the African-American experience, yet filled with insights that resonate for anyone seeking to make a better...
From National Book Award finalist Straight (Highwire Moon, 2001, etc.), a searing, ultimately redemptive novel about America’s legacy of racial violence and a woman’s struggle to forge her own identity.
FX Antoine is a successful travel writer, based in Los Angeles when she’s not jetting around the world for Vogue and Travel + Leisure. Sixty-two miles away in her hometown of Rio Seco, she’s simply Fantine, daughter of one of five black girls sent from rural Louisiana to live in California after the local plantation owner raped three of them in 1958. Her great-great-great-grandmother was also raped by a white man (A Million Nightingales, 2006), and slavery’s heritage of forced miscegenation is visible in Fantine’s mocha skin, which keeps her professional contacts guessing about her background, to her sardonic amusement. White people who look at her godson Victor see only a threatening black man, even though he’s managed to graduate from community college with honors despite growing up with a crack-addicted mother: Glorette, Fantine’s childhood friend, murdered five years before the novel begins in late August 2005. Fantine wants Victor to apply to four-year colleges, but the bright, reflective young man is implicated in a shooting while hanging out with some bad-news friends, and they flee to Louisiana. Fantine feels she’s failed Victor, just as she’s alienated the tightly knit Rio Seco community by getting an education and moving into the wider world. The ties of kinship remain strong, however, and Fantine heads to Louisiana in search of Victor with her close-mouthed father, who has his own history of violence provoked by white brutality. In a slam-bang finale as Hurricane Katrina roars into Plaquemines Parish, Straight deftly mingles a gripping saga of survival with a moving depiction of Fantine’s emotional journey toward commitment and reconciliation.
Deeply rooted in the African-American experience, yet filled with insights that resonate for anyone seeking to make a better life without disowning the past. Straight writes about the thorny subject of race with sensitivity and nuance.Pub Date: Oct. 12, 2010
ISBN: 978-0-307-37914-6
Page Count: 336
Publisher: Pantheon
Review Posted Online: Aug. 27, 2010
Kirkus Reviews Issue: Sept. 15, 2010
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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