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WHAT CASANOVA TOLD ME

Some nice historical color and a raft of exotic settings, hobbled by the pedestrian plot and a tiresome contemporary...

Canadian novelist Swan (The Wives of Bath, 1993, etc.) intertwines 18th- and 21st-century tales to lead two young women toward maturity and emotional fulfillment.

Archivist Luce Adams pauses in Venice to loan the Sansovinian Library a journal written by her ancestor, Asked For Adams, about a journey taken in 1797 with the notorious Giacomo Casanova, whose letters describing the trip accompany the diary. Along with Luce is Lee Pronski, the lesbian lover of Luce’s mother; the two women are en route to a memorial service in Crete, where Kitty Adams died in an automobile accident. Luce begins to read Asked For’s journal, which also begins in Venice; Asked For’s father, cousin to President John Adams, has been sent there on a trade mission, but dies suddenly of a fever. Rather than submit to the loutish American farmer her father wished her to marry, Asked For takes off with the aged but still fascinating Casanova for Istanbul, where he claims that his long-lost love is imprisoned in the Ottoman Sultan’s harem. In present time, Luce wishes she could escape from the embarrassing legacy of her mother, an archeologist who controversially embraced a feminist view of prehistoric life that stressed the importance of goddesses. She resents Lee, who broke up the cozy mother-daughter twosome (Dad was long gone), and the contemporary story mostly involves Luce sulking and Lee being overbearing as they head toward Crete. Asked For’s narrative is slightly more engaging; she’s calm and self-reliant, never indulging in the self-pity she’s far more entitled to than stuck-in-adolescence Luce. The parallels between the two tales are awfully neat, right down to the Ottoman manuscript that reveals Asked For’s happy final destiny and also leads Luce to a handsome Turkish translator. The blossoming of affection between Luce and Lee seems similarly contrived to satisfy the author’s plans rather than the characters’ needs.

Some nice historical color and a raft of exotic settings, hobbled by the pedestrian plot and a tiresome contemporary protagonist.

Pub Date: June 6, 2005

ISBN: 1-58234-453-1

Page Count: 320

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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