by Susan Verrico ‧ RELEASE DATE: Sept. 1, 2012
With the likes of Peter Raven, Tom Cringle and even Jacky Faber roaming the literary sea lanes, not even the frequent...
In a nautical tale that leaks from stem to stern, a printer’s son survives one unlikely adventure after another after being shanghaied by British privateers.
First orphaned, then sold into indenture on a false charge, then clubbed and carried off to sea, 13-year-old Jameson finds himself sailing into the Caribbean aboard the Destiny, Captain “Attack Jack” Edwards commanding. Jameson inexplicably worms his way into the captain’s good graces despite being sullen, accident-prone and so slow on the uptake that he has to be told twice why the ship doesn’t fly British colors in enemy waters. He goes on at Edwards’ behest to bury a packet of maps in a secret cave during a wild storm for no good reason (except perhaps the general paucity of dramatic scenes), then, before sailing off to deliver the aforementioned maps to Queen Anne (this is 1713), he rescues the captain from being hanged as a pirate by forging a Letter of Marque. The author displays an incomplete knowledge of nautical terminology and the techniques of letterpress printing, and the climactic courtroom scene is so contrived that even Perry Mason would wince.
With the likes of Peter Raven, Tom Cringle and even Jacky Faber roaming the literary sea lanes, not even the frequent references to dung, dirt, blood and noxious foods are enough to float such an underresearched, arbitrarily plotted clinker. (Historical fiction. 11-13)Pub Date: Sept. 1, 2012
ISBN: 978-1-56145-633-8
Page Count: 224
Publisher: Peachtree
Review Posted Online: July 25, 2012
Kirkus Reviews Issue: Aug. 15, 2012
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by Elinor Teele ; illustrated by Ben Whitehouse ‧ RELEASE DATE: April 12, 2016
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
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BOOK REVIEW
by Elinor Teele
by Katherine Rundell ; illustrated by Charles Santoso ‧ RELEASE DATE: Aug. 27, 2019
Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure
A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.
Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.
Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)Pub Date: Aug. 27, 2019
ISBN: 978-1-4814-1948-2
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: May 25, 2019
Kirkus Reviews Issue: June 15, 2019
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by Katherine Rundell ; illustrated by Ashley Mackenzie
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by Katherine Rundell ; illustrated by Sara Ogilvie
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by Katherine Rundell ; illustrated by Kristjana S. Williams
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