edited by Susan Ware ‧ RELEASE DATE: Sept. 24, 1998
A collection of 35 essays by members of the Society of American Historians that help to restore the heroic figure’s just proportions for the benefit of our too-cynical age. Ware (History/Radcliffe Coll., Still Missing: Amelia Earhart and the Search for Modern Feminism, 1993) defines a hero as anyone who leads by courageous example. For instance, we read in Tom Wicker’s contribution, —Henry Knox’s Wilderness Epic,— about the incredible 1775—76 journey of Knox, who dragged tons of captured British artillery overland and across rivers, exhorted his worn men from Fort Ticonderoga to Boston, and eventually caused the British army to evacuate the city. Also chronicled are the doings of religious martyrs and former slaves, suffragists, publishers, and other reformers. Of equal note are the seemingly much less zingy backroom labors of librarian J.C.M. Hanson, who standardized cataloguing practices at the Library of Congress and the University of Chicago library. Observes his present-day champion, contributing essayist Neil Harris, who teaches history at Chicago, —Librarians of the day regarded issues like the proper entry of a British nobleman’s name or the capitalization of common nouns in German —as something on which their consciences would permit no compromise.— But Hanson was able to encourage harmony.— Also unexpected is Stephen Jay Gould’s account of the extraordinary Ohio-born deaf baseball player William Ellsworth —Dummy— Hoy (1862—961): though no more than five feet five inches tall, Hoy was a great center-fielder who slipped into the game by chance after a brief career as a cobbler. One of Hoy’s more minor yet still ingenious accomplishments: the invention of a —unique doorbell arrangement— involving a knob, pulled by the caller, that —released a lead ball which rolled down a wooden chute and then fell off onto the floor with a thud. When it hit the floor [inside, Hoy and his wife] felt vibrations through their feet, and they knew somebody was at the door.— Unlikely heroes may be the best kind.
Pub Date: Sept. 24, 1998
ISBN: 0-684-84375-7
Page Count: 384
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1998
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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