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THE LOST AND FOUND BOOKSHOP

A gentle love story perfect for anyone looking for love amid personal, family, and financial crises.

With her promotion to vice president of digital inventory at a Sonoma winery, Natalie Harper finally has the financial security she's always wanted, but a sudden tragedy sends her home to rescue her late mother's charming bookstore.

Once in San Francisco, Natalie moves back into her childhood home, an eclectic set of apartments above the bookshop, a home she shares with her grandfather Andrew, who is suffering from dementia and other mysterious ailments. Blythe, Natalie's mother, loved books, but she was not a savvy businesswoman. Natalie arrives to find unpaid bills and back taxes. Housed in the historic Sunrose Building, the bookshop certainly has stories of its own to tell: Originally a saloon and brothel, it was eventually bought by Natalie's great-grandparents, who converted it into a home and apothecary. Luckily, “hammer for hire” Peach Gallagher shows up. Strong and gorgeous, the contractor catches Natalie's eye, and he certainly is drawn to the curly-haired proprietress. But Peach doesn't date clients, and Natalie is gun-shy from her previous relationship. Plus, she's already met Peach’s adorable little girl, Dorothy. Natalie isn't about to break up a marriage, but she doesn’t know Peach is actually divorced. Wiggs skillfully manipulates the stock in trade of a master romance novelist as she orchestrates Peach and Natalie's inevitable love story. To challenge Peach, enter Trevor Dashwood, a gorgeous and wealthy children's book author, whose books have already won Dorothy's heart. Hosting a book signing with Trevor might help the store’s bottom line. Meanwhile, Natalie, Peach, and Andrew find historical artifacts hidden in the Sunrose building’s walls. Will it be enough to save the store?

A gentle love story perfect for anyone looking for love amid personal, family, and financial crises.

Pub Date: July 7, 2020

ISBN: 978-0-06-291409-5

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: April 12, 2020

Kirkus Reviews Issue: May 1, 2020

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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