The lessons to be learned are many, but, the editors conclude, the regulatory mechanisms meant to preclude future meltdowns,...
Think Bernie Madoff was an outlier? To gauge by some of the contributors to this volume, the whole speculative economy is a vast Ponzi scheme.
Indeed, notes David Shapiro, a legal/financial investigator, there are some fine distinctions between “hedge and private equity funds and Ponzi schemes,” the former being “pools of investment capital that are largely unregulated by federal, state, and local authorities,” which is just the way the wizards of Wall Street like it. By contrast, of course, other investment instruments such as mutual funds are intricately regulated, such that financial hanky-panky seldom occurs there, at least not by comparison. Shapiro wonders why it is that a financial crisis is required to ferret out the bad guys, observing, “The nature of today’s unregulated or lightly regulated market often makes the distinction between outright fraud and high-risk vehicles hard to discern.” In such a climate, an operator like Madoff was destined for success, and that he got away with it for so long—thus the title of the book—is a matter that should provoke much discussion among regulators. Writes Jock Young, “He is the right gender to be sure but the wrong class, ethnicity, and age; we usually spend our time looking down, not up, the social structure when analyzing criminal behavior.” “They”—the layers of malfeasants that include “Wall Street, Washington, and Main Street”—got away with it for so long, in other words, because people were looking the wrong way, hoping, in the case of Main Street, to get a little of the proceeds themselves, and no one should have been surprised when the whole thing came tumbling down.
The lessons to be learned are many, but, the editors conclude, the regulatory mechanisms meant to preclude future meltdowns, such as the Dodd-Frank Act, are now under assault. Stay tuned.Pub Date: Nov. 20, 2012
ISBN: 978-0-231-15691-2
Page Count: 320
Publisher: Columbia Univ.
Review Posted Online: Oct. 14, 2012
Kirkus Reviews Issue: Nov. 1, 2012
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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