This lovely book about forgiveness shows that friendship can form even in the most unlikely situations.
Deer, who has a talent for treats, tracks down a disruptive force in this Spanish import.
When his routine of collecting ingredients in the quietest part of the forest and turning them into sweet jams, cakes, and pies for a daily feast is disrupted, Deer must investigate. Who would be so rude as to run roughshod over the forest area where Deer goes every day, to break into Deer’s home, and, most egregiously, to take his Secret Recipe Book? The chef’s anxiety-inducing journey leads him to the home of Rabbit, who turns out to be a nervous, lonely creature. Even after Deer shouts at him, the pitiful rabbit still wishes he could bake like Deer so that “more people would come to see me. I thought I could be like you!” What happens next in Isern’s follow-up to The Lonely Mailman (2017) hinges on an act of kindness so perfect it would be a different kind of crime to spoil it here. As in Mailman, Montero Galán’s illustrations capture the lives of these anthropomorphic animals with warm, natural hues, whether it’s the darkening sky of sunset after a frustrating day or the winding path taken through all the neighbors’ homes by the aroma from Deer’s kitchen. Rabbit’s emotions, in particular, are heartbreaking as rendered, the huge orange eyes practically twitching off the page.
This lovely book about forgiveness shows that friendship can form even in the most unlikely situations. (recipe) (Picture book. 4-8)Pub Date: Sept. 15, 2020
ISBN: 97884-16733-92-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
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BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
BOOK REVIEW
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