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THE MUSIC OF THE SEA

Lovely, lyrical text combines skillfully with dreamlike illustrations to create soothing music—with just one off-key note.

In this picture book translated from the Spanish, a young girl interacts with the music made by the ocean next to her seaside village.

Marina, a young white girl, lives in Lemonsea, a tiny fishing village. When a storm destroys the crops and drives the fish away, everyone but Marina and her white fisherman father, Daniel, leaves to find their living elsewhere. Marina is sad until her father builds a sea organ that is played by the ocean’s tides and currents and the wind. Attracted by the music, whales arrive, and Marina befriends them, even rides them. Eventually the music attracts fish in such abundance that the villagers return, and Lemonsea becomes more prosperous than before. Isern’s lyrical narrative waxes poetic about the sea, whales, and the contentment found in a life close to nature, and Chicote’s illustrations, with their dreamlike quality, enhance the narrative. There’s one off-key note, however, that undermines the harmony-in-nature theme. Chicote includes fanciful characters who have the heads of fish and bodies of humans (they’re not mentioned in the text) interacting in the village alongside regular humans (all white), and readers might wonder who the fish-people are and how they feel about the fishing industry.

Lovely, lyrical text combines skillfully with dreamlike illustrations to create soothing music—with just one off-key note. (Picture book. 4-8)

Pub Date: Sept. 1, 2017

ISBN: 978-84-16733-28-6

Page Count: 24

Publisher: Cuento de Luz

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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